Pathani Chandrasekhara Samanta: Traditional eye scanning the sky

The ingenious naked-eye astronomer who strived for accuracy in observational data

Statue of Pathani Samanta in the Planetarium campus
Statue of Pathani Samanta in the Planetarium campus Wikimedia Commons

Introduction

Astronomy, one of the oldest fields of science, has its roots in the observational and intuitive power of human intellect, which has forever been curious and intrigued by the heavens above, especially the motion of planets, stars, other heavenly bodies and of our moon and the sun. The history of astronomy is, in a sense, the history of the evolution of human cognition and experimental enterprise. We know much about the deep sky today, including evidence of the existence of black holes—from which even light cannot escape—thanks to the remarkable technological and scientific progress made in the past few decades. However, the humble truth is that even without any powerful modern observational probes, some of our ancestors had figured out a lot about the solar system, including the motion of planets: their rotation and revolution, eclipses, transits of planets and much more. They created calendars, based on their naked-eye observations and recordings, which continue to be used even to this day!

Arguably, observational astronomy can be called one of the first experimental research fields to take shape simultaneously in Egypt, Babylonia, Greece, India and China, dating back to 2500 BCE or more. For instance, the great pyramids are evidence of both knowledge of the direction and motion of celestial objects, and most importantly, the mathematics needed for the design. The Babylonians were aware of the equatorial circle, equinoxes, and solstices, and had figured out the solar and lunar months. The Chinese had also started recording data on meteor showers, appearances of Halley’s comet, eclipses, and more. Their first star catalogue was ready in the fourth century BCE.1 Further, the Alexandrian school evolved as a natural progression from the Babylonian and Greek eras: Hipparchus had built an observatory, figuring out the precession of the equinox in 126 BCE. He gathered a wealth of observational data and instruments upon which Ptolemy based his work and wrote his treatise Syntaxis which then reached the middle east and was translated into Arabic. Almost everyone had independently determined the duration of a year as 365.5 days!

India’s tryst with observational astronomy and the meticulous recording of data started in the Vedic era, followed by the Vedānga era, finally gaining proper formalism during the Siddhānta era. The first Sanskrit treatise on astronomy, Sūrya-Siddhānta, was written around the fifth century CE. It was an era which had stalwarts like Āryabhaṭa, Varāhamihira, Srīpati, Mañjula, the two Bhāskaras, and culminating with Nīlakaṇṭha. Joining this league of the Siddhanta tradition was another genius who decided to carry forward and improvise upon the Siddhānta era observational data much later in the 19th century – Chandrasekhara Samanta (1835–1904).2

Pathani Chandrasekhara Samanta was the Indian stalwart who belonged to the league of extraordinary naked-eye astronomers like Copernicus, Tycho Brahe and many others who did pioneering observational work using mathematics and self-made simple apparatuses. Unfortunately, he is not known outside his home state of Orissa or outside the academic circles of the history of science and astronomy enthusiasts. However, his exemplary work finds a mention in scientific journals like Nature and Knowledge published way back in 1899!

Front panel of the Planetarium named after him in Bhubaneswar
Front panel of the Planetarium named after him in Bhubaneswar Abhijit Kar Gupta
Syamabandhu and Bishnumali pray in Siva Temple for a son
Syamabandhu and Bishnumali pray in Siva Temple for a son Abhijit Kar Gupta

Birth of the traditional astronomer

Chandrasekhara Samanta was born on 13 December 1835 in the royal family of the princely state of Khandapada, Nayagarh district, Orissa. He was the son of king Samanta Syamabandhu Singha and his wife Bishnumali Devi. The legend depicted on the walls of the Pathani Samanta Planetarium states that he was born after the tragic loss of two daughters and a son in infancy. Due to their yearning for a healthy child, as per prevalent belief, he was given away to be adopted by a muslim fakir immediately after his birth to ward off the evil eye. In remembrance of the fakir, they nicknamed him Pathani. The name has since remained, being carried forward by institutions named after him in his home state.

Pathani Chandrasekhara Samanta was a bright kid with a keen interest in astronomy and mathematics. Apparently, he had spotted Venus at the age of four during the day, much to the annoyance of his father, as it was considered inauspicious to spot planets and stars during the day. He was home-schooled first by his father, who introduced him to the joys of star-gazing, and later by a brahmin teacher, who gave him basic education in both Oriya and Sanskrit, including Sanskrit grammar, the smṛtis, purāṇas and many original kāvyas. By the age of fifteen, he had become a self-learner by referring to the books available in the royal library. He was a voracious reader who devoured classical treatises like Līlāvatī, Bījagaṇita, along with works on traditional topics jyotisha, siddhānta vyākaraṇa and the kāvyas.

Soon, he got inclined towards mathematics and traditional astronomy and started matching predictions made by the ancient Siddhānta texts of Āryabhaṭa, Bhāskarācārya and others, with real observations of celestial objects in the night sky. Realising the discrepancies in the almanac dates and the conflict and confusion they often led to, he soon set out to design his own measuring instruments using materials available at hand—wood and bamboo! The ancient texts did not mention specifics about the design of the instruments, so he had to make innovative designs of his own based on hints given in those texts. He created as many as ten types of instruments for measuring time, in addition to designing instruments for measuring the heights of distant objects, and the coordinates of heavenly bodies. Some of his designs, such as Cakra-Yantra, Chāpa-Yantra, Golārdha-Yantra, Svayambha-Yantra, Gola-Yantra and Māna-Yantra, have been re-created in the planetarium named after him in Bhubaneshwar. The Māna-Yantra has become one of the most popular instruments designed by him, thanks to its simplicity and functionality.

After the birth of the child, as per the local custom, the child had been sold to a muslim fakir to avoid the bad omen and then onwards he was called Pathani along with his name Chandrasekhar
After the birth of the child, as per the local custom, the child had been sold to a muslim fakir to avoid the bad omen and then onwards he was called Pathani along with his name Chandrasekhar Abhijit Kar Gupta
Education was imparted to him by his father
Education was imparted to him by his father Abhijit Kar Gupta

Observations and the pursuit of accuracy

Samanta's Chāpa-yantra for measurement of time
Samanta’s Chāpa-yantra for measurement of time Abhijit Kar Gupta
By the age of 23, he was already making meticulous observations, noting the discrepancies and making corrections. The inherent flexibility of ancient treatises allowed him to correct the recorded data. He compiled it over the next eleven years in Siddhānta-Darpaṇa—another treatise in the form of metrical Sanskrit verse (2500 ślokas) written in Oriya script on palm leaves. Though the work was completed in 1869, it took a further 30 years for it to be published. This was thanks to the efforts of Sri Mahesh Chandra Nyayaratna, the then principal of Sanskrit College of Calcutta, who introduced Samanta to Jogesh Chandra Ray of Cuttack College. Ray undertook the daunting task of publishing the Siddhānta-Darpaṇa in Devanagari script with financial support from two kings, the King of Athmallik and the King of Mayurbhanj. In the end, it was published in 1897 by Girish Vidyaratna Press, Calcutta, with a valuable English introduction of 58 pages by Ray, explaining Samanta’s scientific contribution. As mentioned earlier, the Siddhānta-Darpaṇa then got the due attention of western academic journals like Nature[1] and Knowledge[2], thus saving the extraordinary work from getting lost to oblivion forever.

Though the legends of the West belonged to another era and, by 1835, many relatively modern knowledge systems were in place, as were works of Indian stalwarts like Nīlakaṇṭha (of the Kerala school of astronomy). Yet, it seems that Samanta was either unaware of these schools or he deliberately chose to stick to improvising two ancient Indian treatises Sūrya-Siddhānta and Siddhānta-Śiromaṇi, committed as he was to verifying and rectifying the original observations and evidence. What he did with the sources and texts he had in hand was very unusual and extraordinary: he went through these ancient Indian treatises on astronomy meticulously, matching their data with his observations and measurements, thus increasing their accuracy. He wrote his own treatise, the Siddhānta-Darpaṇa—as an improvised text in the same style, maintaining its continuity. The level of accuracy in the Siddhānta-Darpaṇa in comparison with modern observations is remarkable.

 Pathani Samanta started observing the stars and planets by the instruments made by him
Pathani Samanta started observing the stars and planets by the instruments made by him Abhijit Kar Gupta
 Professor of Ravenshaw College examines the findings of Pathani Samanta in astronomy, and helps him to publish Siddhānta-Darpaṇa
Professor of Ravenshaw College examines the findings of Pathani Samanta in astronomy, and helps him to publish Siddhānta-Darpaṇa Abhijit Kar Gupta

The following tables are from the article published by Prahallad Chandra Naik and L. Satpathy in The Bulletin of the Astronomical Society of India[4] which shows the amount of meticulous work undertaken by Samanta. The last three columns in Tables 2,3 and 4 reveal the level of accuracy he achieved through his inventiveness.

Section-wise distribution of chapters and ślokas in Siddhānta-Darpaṇa
Section-wise distribution of chapters and ślokas in Siddhānta-Darpaṇa courtesy: P.C. Naik
An innovative planetary model, very similar to the ones proposed by the great astronomers Nīlakaṇṭha Somayāji (1444–1544),3 and Tycho Brahe (1546–1601) was independently proposed by Pathani Chandrasekhara Samanta. In this model, which had both heliocentric and geocentric elements, the inner and outer planets did go around the sun, but the earth remained stationary with both the moon and the sun moving around it in different orbits. The model explained the retrograde motion of the moon, inner planets, equinoxes, solstices, eclipses, transit of planets, and more. Furthermore, he improvised his calculations by defining a mean longitude line (accounting for the tilt of the earth).

Sidereal periods of planets in days
Sidereal periods of planets in days courtesy: P.C. Naik
Inclinations of the orbits of planets to the ecliptic
Inclinations of the orbits of planets to the ecliptic courtesy: P.C. Naik

The Gajapati King of Puri awarded him the title of Harishchandan Mahapatra in 1870 and the Shri Jagannath temple still follows the calendar prescriptions proposed by him to observe their rituals. The British Raj conferred upon him the title of Mahamahopadhyaya in 1893 and awarded him a pension of Rs. 50 per month for his contributions to the field of astronomy after he correctly predicted the time and place of a solar eclipse which was to be visible only in Britain.

Comparison of r/R ratio
Comparison of r/R ratio courtesy: P.C. Naik

These recognitions, however, did not help him fight his battles against failing health and poverty. Although he came from a royal lineage, it was difficult for him to look after his large family along with generations of servants who had served their family. He had two small villages and a small land to his name which contributed very little to the family income. His primary focus was his scientific work and his daily routine had several hours dedicated to meditation and prayer.

 Gajapati, king of Orissa confers the title of “Harichandan Mohapatra” on him
Gajapati, king of Orissa confers the title of “Harichandan Mohapatra” on him Abhijit Kar Gupta
British government confers the title “Mahamahopādhyāya” on him
British government confers the title “Mahamahopādhyāya” on him Abhijit Kar Gupta

Personal life and struggles

According to the family history written by his grandson Raghunath Singh Samanta in the book Pathani Samanta Jeebani Darpana, Pathani Samanta had married Sita Devi, daughter of the king of Angul in 1857 in a dramatic way. According to the book, the bride’s family initially refused the alliance on the day of the wedding due to his unprincely looks. However, he impressed the bride’s family with his flawless śloka recitation right at the wedding venue and won them over. The couple had five sons and six daughters but tragically lost two sons and four daughters over time. One can imagine his personal grief and struggles. Yet he kept his focus on night-sky observations, calculations and academic work.

He had a very unlikely adversary in the local king, Natabar Singh Mardaraj, who took a dislike for him when he started getting recognition and an invitation by the Viceroy Lansdowne himself. Samanta, being dedicated to his routine, had in fact declined the invitation to travel to erstwhile Calcutta, upon which it was a British emissary Mr. Cook who was tasked with awarding the honour of the title “Mahamahopadhyaya” and pension at Cuttack. The king started creating hurdles to discourage Samanta from travelling to Cuttack too, and the anecdote says that when word reached Mr. Cook, he actually issued a warrant against the king! However, Samanta turned instantly from an adversary to a saviour when the king requested him to meet Mr. Cook with a plea of clemency. Samanta sought clemency for the king with this diplomatic argument.

Sir, I understand, arrest warrant is being issued for my king. The award and the decoration will be of no avail to me if the king is arrested. I do not need all these honours. Be kind and gracious to my king and withhold the warrant.

Through such anecdotes, Chandrasekhara Samanta comes across as a man who did not bear any grudges against those who doubted him.

Palm leaf original manuscript of Pathani Samanta, Odisha state museum, Bhubaneswar
Palm leaf original manuscript of Pathani Samanta, Odisha state museum, Bhubaneswar Subhashish Panigrahi / Wikimedia Commons

His focus was his scientific work and his daily routine had hours dedicated to meditation and prayer

Title Mahamahopadhyaya conferred on him by the British Raj in 1893
Title Mahamahopadhyaya conferred on him by the British Raj in 1893 courtesy: Pathani Samanta Planeterium
Because of his demeanour and simplicity, even Jogesh Chandra Ray, who first went to meet him at the behest of a Sanskrit college colleague, did not believe that a dhoti-clad man in a remote corner of rural Orissa without access to any library or communication could undertake such an extraordinarily arduous task. An anecdote goes that Ray asked him to estimate the degrees of separation between two visible planets in the sky right away. It took Samanta only a few minutes to make a simple Māna-Yantra using sticks and estimate it with precision and accuracy. Over the time Ray spent with him, he realized his genius had to be seen to be believed and eventually was motivated to undertake the task of transcribing his work into Devanagari script for posterity and outreach.

The very fact that Samanta wrote on palm leaves when paper, ink and printing technology had already arrived in India, bears testimony to the fact that he was far removed from reality and was happy working on the ancient treatises in a time capsule. Posthumously too, there remain many unanswered questions about his style and methods. He suffered from chronic health issues due to the many sleepless nights and strains of night-sky observation. Legend says that he had predicted his own death and had travelled to Puri in anticipation, as he revered Lord Jagannath. He passed away on 13 December 1904 after a bout of fever and infection.

He reaches Puri to spend his last days
He reaches Puri to spend his last days Abhijit Kar Gupta
Engaged in discussion on scriptures in the mukti mandap pandit sabha
Engaged in discussion on scriptures in the mukti mandap pandit sabha Abhijit Kar Gupta

Legacy and contributions

His birth state of Orissa has kept his legacy and contributions alive by displaying his work in the state museum. The planetarium in Bhubaneshwar is named after him and its wall displays his life story. There are astronomy clubs and blogs dedicated to him in Orissa. His work is cited and celebrated by astronomers and astrophysicists both within India and abroad. He had even been nicknamed “Indian Tycho” when his work received due scientific recognition. It is best to quote from Nature [1]:

What has he done after all? asks the impatient critic. To him I would say – Is it not enough to find in this man a true lover of science, who, regardless of other people’s unfavourable opinion of his work, their taunts and dissuasions, has devoted his whole life to the one pursuit of knowledge: who has shown the way to original research amidst difficulties serious enough to dishearten men in better circumstances: who has employed his time usefully, instead of frittering it away like the usual run of men of his rank on a work which guides the daily routine of millions of his countrymen.

P.C. Naik, who has done extensive research on the contributions of Samanta to Indian astronomy, has mentioned in his article, published for the international conference for the celebration of the 60th anniversary of the UNESCO-Kalinga prize for the popularization of science:

Though Chandrasekhar Samanta came 300 years after Nīlakaṇṭha, he was probably unaware of his predecessors’ work. However, he was thorough in the Sūrya-Siddhānta and Siddhānta-Śiromaṇi which he quotes frequently in his work. Apart from Siddhānta-Darpaṇa, he also authored two short works, Darpaṇa-Sara and Darśa-Dīpika, which were published only once and are out of print now.

In an email correspondence, he also shared:

Samanta has worked untiringly and continuously right from his teens (say from the 1850s) till the 1890s, polishing and perfecting his magnum opus:

Siddhānta-Darpaṇa. He has revised or reformulated the elements, data, and theories of Indian astronomy that were around for a thousand years through assiduous labour, all single handed and unsupported by any. He has made immense original contributions to the four main aspects of positional astronomy, namely: observation, calculation, instrumentation, and theory and model. His works are important today for being used to prescribe almanacs in Odisha since the 1870s and important for enormous data and naked eye observations and findings. According to Jogesh Chandra Ray, he came to see the marvel of the telescope only in 1894.

Postage stamp issued in his honour in 2001
Postage stamp issued in his honour in 2001 India Post/ Wikimedia Commons
In a national symposium held to commemorate his death centenary on 11 June 2004, many deliberations were made about his extraordinary contributions, but collective consensus remained elusive due to a lack of conclusive evidence about whether he was aware of western advances or he deliberately chose to remain loyal to the Indian texts he was working on as most of his original work remains untranslated. A committee was formed to undertake the task to seek answers. The proceedings of the symposium have been published by Allied Publishers. In one of the papers by the late Nandivada Rathnasree of the Nehru Planetarium in New Delhi, who often held workshops at Jantar Mantar and also studied the methodology of Samanta to comprehend positional astronomy studies in ancient India, there is a mention of his observation of the transit of Venus. This refers to the famous transit of Venus of 1874, to witness which foreign astronomers had travelled to India, including the Italian group led by Father Lafont4 of St. Xavier’s college, which led to the establishment of the first solar observatory at St. Xavier’s college in erstwhile Calcutta. She writes:

Did Samanta hear that there was going to be a transit and set out to observe it – or did he find that there has to be such an occurrence from his lifetime work of creating accurate ephemeral elements? There seems to be no evidence that there was any European Astronomical activity in the regions of Orissa, at that time. The Italian expedition from Palermo Observatory was to Muddapur in Bengal, a neighbouring state to Orissa and could there have been some information that reached Kandapara? Even if the information did reach him, Samanta would not have accepted it without his own calculations agreeing with that. The mention of the ratio of Bimba or apparent angular diameters of Venus and Sun as 1/32 is very interesting.

On the date of observations—9th December 1874—the apparent angular diameters of Sun and Venus respectively were 32 minutes, 29 seconds of an arc and 1 min, 3 seconds of an arc. The ratio would have been discernable as 1:30.93.

Samanta’s observations were completely non-telescopic, made with handmade instruments – and the accuracy achieved seems extraordinary.

But then what remains intriguing is that he did not mention any measurement to estimate solar distance.

He belonged, without his knowing, to the Indian renaissance and performed the rare act of reviving and improving upon old knowledge

However, as pointed out by K. Ramasubramanian, the following verses [7] from the Siddhānta-Darpaṇa, are evidence that he was well-informed about gravitational theory and the heliocentric theory of planetary motion:

i\dot{n}glaṇḍapaṇḍitāḥ sūkṣma-matayaḥ kathayanti ca \vert
   bhūgolo vartulaḥ kṣudraḥ bhaumādi-grahavad-divi \Vert 28 \Vert
kha-madhyastha-bṛhat-sūrya-bimbasyāvayava-bhramaiḥ \vert
   ākṛṣṭaścakra-vabhrānti krāntivṛtte vrajatyasau \Vert 29 \Vert
sapādāśuga-ṣaḍvahni-dinaiḥ pūrvagati-kramāt \vert
   bhagaṇaḥ svatanū-bhrāntyā dyurātram cāsya sambhavet \Vert 30 \Vert
ittham gatir-dvidhā bhūmeḥ ānhikī vārṣikīti ca \vert
   bhramantyāḥ svatanor-yasmāt nityam sthānāntara-sthitiḥ \Vert 31 \Vert
na patanti janā bhūmeḥ madhyākarṣaṇa-śaktitaḥ \vert
   paśyantyarkādikān bhrāntān nāvikā hi nagāviva \Vert 32 \Vert

Here is a prosaic translation of the above verse.

The intelligent scholars of England say that the Earth is spherical and negligibly small [compared to the Sun]. Like planets such as Mars, the Earth, being attracted [by the Sun] which is located at the centre of space, revolves around it in the ecliptic [plane] (krāntivṛtte), in addition to its rotation (28–29). It completes its revolution by moving towards the east in a quarter over 365 days. The day and night in it is caused by its own bodily rotation (30). Thus there are two types of motion for the Earth—daily and annual. And, due to its revolution, its position is continuously displaced (31). People do not fall from the Earth because of the force of attraction from the centre. Their observation of the Sun and others [stars] moving is similar to a navigating boatman observing immobile objects [trees] to be moving (32).

The symposium in 2004 was inaugurated by M.G.K. Menon and the keynote address was delivered by M.K. Pal in which he stressed the fact that Samanta could be the only Siddhantic scholar yet belonging to the renaissance era (without being aware of it):

A closeup view of the statue of Samanta
A closeup view of the statue of Samanta Abhijit Kar Gupta
Nīlakaṇṭha Somayāji’s works dated around 1500 AD were anterior to Tycho Brahe’s and establish the fact that Indian astronomical research was definitely at par with the European up to Nīlakaṇṭha’s age. He is pre-renaissance and represents the near unbroken continuity of Siddhānta works up to his time. Samanta Chandrasekhara belonged, without his knowing, to the Indian renaissance and performed the rare act of reviving and improving upon old knowledge – a kind of contribution that transforms `naissance’ to a genuine renaissance.

This quote was reiterated recently by M.S. Sriram, who had presented the summary of the panel discussion.

The symposium was attended by top Indian scientists and astronomers, which included scholars like Tribikram Pati, a mathematician, former Vice-Chancellor of Allahabad University and also a Sanskrit scholar. On the solemn occasion, he even wrote a Sanskrit verse in Devanagari praising Samanta.

Siddhānta-Darpaṇa carries the essence of what motivated Samanta and also puts to rest the intrigue of whether he was aware of western advances.

At the end of every chapter of Siddhānta-Darpaṇa, the dual aims of the book have been reiterated: Bāla-Bodha and (b) Gaṇitā-akṣi-siddhi, which roughly translates as (a) adhering to the aim of teaching students in a manner which is simple and easy to understand and (b) matching mathematical theory with experimental observation.

Also, as mentioned earlier, one of his verses does make an indirect reference to his knowledge of the heliocentric theory of planetary motion which makes it probable that he may have been aware of certain advances, but he opted to stick to his chosen texts and formalism.

The symposium concluded with the formation of a committee with the specific task of initiating the preparation of an authentic translation of Siddhānta-Darpaṇa, after identifying appropriate scholars to undertake the work. Unfortunately, as recently updated by M.S. Sriram, there has been no follow-up regarding this. One can only hope that this task will be undertaken someday by inspired and motivated interdisciplinary Sanskrit, mathematics and ancient astronomy scholars to gain many more insights from this exemplary work.

His true legacy is his contribution to investigative scientific methods and his relentless pursuit of precision, accuracy and evidence in observational data and documentation. One needs to celebrate his pure academic pursuit and curiosity. The true spirit of scientific pursuit is the spirit of inquiry and the quest for evidence—that’s how the baton of scientific investigation gets passed on.

Journey for heavenly abode, Lying on the lap of his son
Journey for heavenly abode, Lying on the lap of his son Abhijit Kar Gupta
Some instruments designed by him to carry out his astronomical research
Some instruments designed by him to carry out his astronomical research Abhijit Kar Gupta

Acknowledgement: The author wishes to acknowledge M.S. Sriram for extending all help and sharing resources which proved crucial for this article. We are also grateful to Sriram and P.C. Naik for sharing their views and insights about the relevance and importance of Samanta’s contributions. Many thanks to Abhijit Kar Gupta for the photographs and the amazing editing team of Bhāvanā for valuable editing inputs.\blacksquare

References

  • [1] A Modern Tycho, The Nature, Vol 59, no. 1532, 9 March 1899, pp 430–431.
  • [2] Knowledge, Vol. XXII, (1899) pp. 257–258.
  • [3] P.C. Naik and L. Satpathy, Samanta Chandra Sekhar: Life and work, Current Science, Vol. 69, No. 8, October 1995.
  • [4] P.C. Naik and L. Satpathy, Samanta Chandra Sekhar: The great naked-eye astronomer; in Proceedings of the Workshop on `Heritage of Ancient Indian Astronomy’, IUCAA, Pune, Bulletin of the Astronomical Society of India (1998) 26, 33-49.
  • [5] Proceedings of National symposium on Scientific contributions of Samanta Chandra Sekhar to Astronomy, June 2004.
  • [6] Ancient Indian Astronomy and Contributions of Samanta Chandra Sekhar, Editor L. Satpathy, Narosa Publishing House.
  • [7] Siddhānta-Darpaṇa, Indian Depository, Calcutta; Chap. 16, verses 28–32, pp. 152.

Footnotes

  1. https://www.liquisearch.com/chinese_astronomy/star_catalogues_and_maps/star_catalogues.
  2. Keynote address- Manoj K. Pal, National symposium on Scientific contributions of Samanta Chandra Sekhar to Astronomy, held on 11 June 2004.
  3. See `Three trails to Sangamagrama’, by C.S. Aravinda and Sudhir Rao, Bhāvanā, Vol 6(3) July 2022, pp. 5–42. http://bhavana.org.in/three-trails-to-san\%cc\%87gamagrama/.
  4. See `Two Jesuits who introduced modern education in India’, by Madhuri Katti, Bhāvanā, Vol 6(2) April 2022, pp. 14–23. http://bhavana.org.in/two-jesuits-who-introduced-modern-education-in-india/.

Madhuri Katti teaches physics and global perspectives at Modern High School for Girls and Modern High School International, Kolkata. She is a freelance writer with a keen interest in the history of science.